November 16-17th
Exhibitors
Agnė Urbutė, also known by her pseudonym AsurSura, is a graphic designer, illustrator and an exhibition curator situated in Kaunas. AsuSura graduated from the University of Applied Sciences (Kauno kolegija), Decorative Plastics Art BA study program. She was highly interested in stained glass, therefore she decided on the Glass Art and Design study program. Despite that, Agnė Urbutė chose to work on paper. Later she started drawing on a tablet, however, the influence of stained glass is evident in her works: particularly dominant bold lines,distinct shapes, bright and vibrant colors. Her works are dominated by a peculiar and brutal style of conveying people, characters and their portraits: they all resemble strong emotions, psychological states. Their bodies and faces are purposely deformed, unnatural, it defines the line between reality and fantasy. They’re merged with material item shapes or often even themselves become personified items or their compositions. She also creates minimalistic compositions and has held five exhibitions presenting her personal work.
FK Magazine is an independent Latvian publisher who publishes an annual “Latvian Photography” showcasing contemporary Latvian photography, as well as limited edition photobooks to accompany exhibitions, such as “Latvian Landscape” or “Sense of Place” as well as individual artist books.
The gallery “Meno parkas” which has been running for 22 years (Rotušės a. 27, Kaunas, Lithuania and Dorotheenstrasse 22, Dusseldorf, Germany), is better known as a contemporary art space to art lovers. It is also known for presenting professional Lithuanian artists’ work in Lithuania and abroad, hosting various international art projects and exhibitions, as well as participating in art fairs. However, the work of the gallery is much broader – “Meno parkas”, being the publisher of many artists’ artwork albums or exhibition catalogs, is also contributing to Lithuanian contemporary art and culture spreading.
We don’t know if the merchant who built the house in Vilniaus 11, owned any books, but “Tūkstantis ir viena knyga”, which was established here in 1994, is the home to many publications from all over the world. Tim Walker’s dream visions, architect works, (post)modernism prose and poetry, art classics and contemporary works, astronomy manuals, as well as gourmet recipe books, all have found a home here. Ltd. “Humanitas” is the largest book importer in Lithuania. It takes care of the bookshop’s publication assortment, makes sure that it’s regularly updated and expanded, and helps to make your deepest book-related wishes come true.
Inga Navickaitė-Drąsutė is a graphic designer and illustrator, she has a Bachelor’s and Master’s degree in Applied Graphics at Vilnius Academy of Arts, Kaunas faculty (VAA KF), and had been teaching bookbinding and character development in the Department of Graphics in the same department. The variety of disciplines and the knowledge acquired during the studies provided ample room for experimentation and different forms of connections that led to authoring books.
“Bedančiai“ – a story about a native Lithuanian village from the 16th century until today. It is a book, composed of two parts: the first part holds historical sources, found by J. Brigis, on the origin of the place names, the inhabitants and the traces of the wars, and the second part is a tale about living inhabitants of today’s Bedančiai village, testifying their presence through studio photographs captured on the facades of their homes. The book is dedicated to the father “I dedicate this book to my father, who held my hand and the drape”, and here with all of the vanishing Lithuanian Villages.
“Desentimental” is a photo-diary, a relationship documentary, or a symbolic and comic farewell to a forty-year-old broken sofa. Brown felt, mimicking Sofa’s drapes connects a series of 365 photographs — the sofa was captured everyday whole year round, in the same way (de)sentimentalizing its last years of life and revealing human relationships.
Kaunas Photography Gallery extends the long publishing tradition in Lithuania, now not only concentrating on simply presenting photographers, but also on continuing research into Lithuanian photography through individual perception. Thanks to its successful publishing activities, Lithuanian photography is winning greater recognition than ever before.
Kaunas Artist’s House culture information center, Kaunas Full of Culture, and Kaunas 2022 program “Kauno iššukis” presents KAH reading-room zines collection, Kaunas Full of Culture publications and “MASS” zine. Culture info center’s reading-room will present their various zinescollection as well as provide the possibility to have a look at the selected publications of contemporary art and critical works, which are accumulated at the Kaunas Artist’s House. It will be possible to read all of the info center’s reading-room publications. Also, you will be able to discover and expand your collection with Kaunas Full of Culture 2018 chronicles, new, as well as archived publications which unfolds the famous Kaunas culture map.
At the Kaunas Art Book Fair, together with Kaunas 2022 program “Kauno iššukis” we will be presenting the second issue of MASS which is about young folk, culture, and modernity. The second issue retains its original context but this time its content is based more on digital methods – on screen and beyond it, testing its acceptance limits. Limited edition MASS zinewill be available for free.
Kaunas Modern Art Foundation is looking to present to the public a unique collection that is related to Kaunas and the Temporary Capital. The direction – abstract expressionism. The private collectors’ foundation is dominated by paintings of an artist group “Angis”, as well as an accumulation of various sculptures and paintings. By contextualizing the current collection, KMAF is aiming to publicize the artists and their works, publish art albums, and host themed events. Also to continue the collection’s history by collaborating with museums, galleries, and other partners.
KMAF has published 4 albums, and is looking to publish 2 more in the near future. In the Art Book Fair a newly published catalog about Vytautas Povilaitis is going to be presented for the first time. The catalog documents exhibitions that were held in 2019, works that are in museums or private collections, and presents art critic articles about V. Povilaiti’s work and its contribution to Lithuania’s art history.
By using unique risograph printing, “Kitokia Grafika” is publishing young artists’ comics, zines, art prints, and postcards. They also host exhibitions as well as organize craftsmanship and creative comic workshops. They present Lithuanian artists’ risograph printed works in art and alternative printing festivals all over the world.
In a world where risography is at its peak, this printing method is used by designers, illustrators, graphic designers, alternative comic creators, and other artists. Differently than in large printing houses, the artists themselves can attend and, at the same time, experiment during the risograph printing process. What makes risography unique is the high quality (similarly to offset or silk screen printing) and inexpensive printing, its eco-friendly, and provides with the possibility to improvise. It’s perfect for printing art.
“Black Dog Books” is an openly secret, both migrating and not, second-hand bookstore, established at an apartment which is situated in the old town of Vilnius. We have been promoting ourselves since 2015. We’re still selling books. We still do not have a café or any various trinkets. We still do not have a sign outside our door, but the readers are able to find us. Sometimes we help them to locate us, other times the neighbors help out. That’s just the way it is.
Various nice and not so nice people’s books, that find a place on our shelves, are what’s keeping the Dog alive. Often times we’re surprised by what we receive. The books are selected and always updated – we want to show every interesting thing that has ever been published! When our rarest copies are gone, we’re able to say that the bookstore was established using the DYI principle. The foundation of the black dog was created from the items that people want to get rid of. Our main goal is to become a bookstore on the largest cultural scale. How are we doing? – Little by little. We like to think that that’s our contribution to making the book culture more diverse.
SIX CHAIRS BOOKS is an independent art $ theory bookstore, a debuting publishing house and a web platform dedicated to the representation of the best examples of artistic, critical and creative ways of making small publications. SIX CHAIRS BOOKS seeks to assist in the growth of the independent publishing culture in Lithuania and supports the ways for the sustainable publishing practices.
”Menų zona“ is a creative platform in Klaipeda that presents Lithuanian, as well as, foreign artists’ copyrighted, self-published, low volume, often handmade or silk-screen printed books, comics, graphic stamps, copyrighted design t-shirts, original notebooks, sketch and spell books. Representing publishers and authors: Le Dernier Cri / La Generale Minerale / Le Garage L. / Press 451 / Shaltmira / Arce.
Laima Kreivytė currently is pursuing her PhD at Vilnius Academy of Arts (VAA) where she teaches as well. She worked at the weekly cultural magazines “7 meno dienos” and “Literatūra ir menas”. Kreivytė has edited books about a paintress Marija Teresė Rožanskaitė and a painter Kęstutis Zapkus. She has also published two books of poetry “Sappho’s Purgatory” (Sapfo skai(s)tykla, 2013) and “Arithmetics of Proximity” (Artumo aritmetika” (2019). She has also curated over 50 exhibitions in Lithuania and abroad, among them – Lithuanian Pavillion at the 53rd Venice Biennial and co-curated the permanent exhibition at the National Gallery of Art (NGA) in Lithuania. Kreivytė is a member of a group “Cooltūristės”, with which she sometimes makes performances.
LFS Klaipeda’s branch presents a retrospective photography book by Violeta Bubelytė. From 1981 till 2003 the photographer made AutoActs. She established herself in Lithuania’s art history as a unique artist who broke a lot of boundaries. In 2015, after a 12-year hiatus, she began to take self-portraits. This unconventional issue reveals V. Bubelyte’s archive and presents her new works in an analytical article by Virginijus Kinčinaitis, Agnė Narušytė, Tomas Vaisėta, Artūras Tereškinas and Kęstuti Sapoka context. In addition, in this limited edition issue you can also find the author’s original signed silver bromide stamp.
Lithuanian Culture Research Institute is an educational institution which is funded by the state. Institute’s main research aims – research on Lithuanian art and history heritage, interdisciplinary research on Lithuanian culture, research on the history of Lithuania’s philosophy and Lithuania’s contemporary philosophy. LCRI investigates Lithuania’s and its constituent part – art, music, theatre, philosophy – history. Analyzes their links with the political and social state development. The institute has its own publishing center where the majority of institute’s scientific production is being prepared for publishing: monographs, collections of articles, continuous (“Culturology”, “East-West: Comparative Studies”, “Ancient Baltic Culture”, “Historical Studies of Fine Arts”, “Athena”, “Lithuania’s Culture Research”), scientific periodicals (“Sovijus: Interdisciplinary Studies of Culture”), series of scientific catalogs “Lithuania’s Sacred Fine Arts” etc. Another important aim is the dissemination of research results – the institute is constantly organizing scientific conferences, seminars, cultural events. The institute’s scholars are holding lectures, attending various science promoting projects, offering business consultations. In cooperation with other universities LCRI offers Ph.D study programs that are designed to prepare high qualification Philosophy and Art History specialists.
Milda Books is a non-profit, non-commercial Baltic based publisher of documentary photographers, visual writers, artists and visual poets from the CEE region, founded in 2017. Milda Books produces one to three new books each year by contemporary artists and also focuses on authors from abroad who have made their work within this region.
NoRoutine Books is an independent publishing initiative dedicated to designing and printing unique fine arts books. All publications are strictly limited to 99 copies (+ some AP) with some unique elements included. The post-printing processes are finalized in NoRoutine Books studio . NoRoutine Books was founded by two artists Vilma Samulionyte and Gytis Skudzinskas in the summer of 2014.
VAA KF Graphic Art Department includes printmaking, illustration, comic, bookbinding, typography, and other digital and traditional art fields. A great deal of attention is directed at the discipline of copyrighted books. This expands the usual book concept, giving creative freedom on the form and content basis. Classic, experimental, and interdisciplinary creative methods determine the authenticity and exceptional student copyrighted book value.
A broad creative spectrum – from illustrations to copyrighted books- VAA KF Graphic Art Department students will be presenting at the Kaunas Art Book Fair.
https://www.facebook.com/taikomojigrafika
https://www.instagram.com/taikomojigrafika/
Visvaldas Morkevičius (b. 1990) is a Lithuanian photographer, publisher and media artist whose work situates itself in between fashion, documentary and artistic fields. His visual regard holds interest in subcultural scenes, bodily identities and urban lifestyles.
Educational program
ex Photo studio, Rotušės sq. 1
November 16th, Saturday
What is left if there is no exhibition? And what is the place of the pornographic magazines in the collection of New York’s MoMA library? In this lecture we will talk about the best examples of 1960s and 1970s artists’ paperwork created both within Europe and the U.S. The authors of the books, advertisements, notes and newsletters to be discussed: Seth Siegelaub, Lucy Lippard, Art & Project, MTL, Mel Bochner, Dan Graham, Stankey Brouwn, Daniel Buren, André Cadere, Lee Lozano and many others.
Inesa Brašiškė is an art historian, lecturer, and writer currently based in Vilnius. She holds MA in Modern and Contemporary Art: Critical and Curatorial Studies (MODA) from Columbia University. Her art historical research concerns postwar European and American art with a focus on conceptual art, institutional critique, the place of abstraction, and various forms of artists’ self-organizing particularly in the 60s and 70s. These past few years, she has been conducting an extensive research on André Cadere (1934-1978) and preparing the first monograph on the artist. Since 2018, Brašiškė is a lecturer at Vilnius Academy of Arts (VAA) where she teaches classes Art Since 1960 and Introduction to Contemporary Art and Theory. She also curates exhibitions and events.
In the presence of the authors Odeta Žukauskienė, Žilvinė Gaižutytė-Filipavičienė and Stanislavas Mostauskis
“Trajectories of Memory and Sight: Reflection of Visual Culture” is a book dedicated to the analysis of the relations between memory and visual culture. The authors of this monograph discuss the ways and means of memorialisation and distribution of the visual within the paradigm of contemporaneity. Žukauskienė and Gaižutytė-Filipavičienė study the patterns of the global visual and cultural memory and the effects that the cinema and the other new visual technologies have upon the expression of cultural memory.
At the Kaunas Art Book Fair, the authors gather together and invite everyone to discuss the following questions: how do the two distinct semantic fields of the visual and the memory interact with each other? And how does the ever-expanding visual supply and almost insurmountable flow of memories affect the trajectories of our consciousness?
Conversation with Erika Drungytė, chief editor of the magazine “Nemunas” and poetry readings.
For the book launch at the Kaunas Art Book Fair, a poetess and art critic Laima Kreivytė invites Erika Drungytė, also a poetess and an editor of the magazine “Nemunas” for a conversation. Together they will chat about cultural periodicals, many faces and texts of “Nemunas”, a square in the arts and poetry. As it is proper for the book launch, they will talk about Kreivytės’ second book “Intimate Arithmetic” and will read some poetry.
Erika Drungytė is a poetess, critic and a Doctor in Humanities. Currently she is a chief editor of monthly cultural magazine “Nemunas”. Drungytė has published four books of poetry: “Precise Winter” (Tiksli žiema, 1998), “Peaces” (Ramybės, 2003), “A Fog and a Wind” (Rūkas ir vėjas, 2008), “Patria” (2015). She also has translated and edited an anthology of contemporary Latvian poetry (2012).
Laima Kreivytė currently is pursuing her PhD at Vilnius Academy of Arts (VAA) where she teaches as well. She worked at the weekly cultural magazines “7 meno dienos” and “Literatūra ir menas”. Kreivytė has edited books about a paintress Marija Teresė Rožanskaitė and a painter Kęstutis Zapkus. She has also published two books of poetry “Sappho’s Purgatory” (Sapfo skai(s)tykla, 2013) and “Arithmetics of Proximity” (Artumo aritmetika” (2019). She has also curated over 50 exhibitions in Lithuania and abroad, among them – Lithuanian Pavillion at the 53rd Venice Biennial and co-curated the permanent exhibition at the National Gallery of Art (NGA) in Lithuania. Kreivytė is a member of a group “Cooltūristės”, with which she sometimes makes performances.
In the presence of the author
Going to openings and parties, setting up a studio and breaking up with her longtime boyfriend, Noora is living the post–art school life in Berlin when, in 2005, she is diagnosed with breast cancer. Vaguely restless, until now she’s been neither happy nor unhappy, but her entry into what she calls “Cancerland” forces her to question the assumptions by which she lived her life so far. Uneasily, she realizes that the “relationships of the soul” she and her friends value over everything else might not be as indelible as family, after all.
In this sharp and picaresque first novel, conceptual artist Annette Weisser depicts the transformation of Berlin from the frontier city of the cold war to an international art hub as an analog and backdrop to the chaotic, corporeal transformation Noora undergoes through cancer and its treatments. Written in the casual, associative style of a female coming-of-age novel, Mycelium examines German trauma, art school dramas, and the inevitable parsing into winners and losers that her generation undergoes as they enter their mid-thirties.
Annette Weisser is a visual artist and writer who just moved back to Berlin after living in Los Angeles for almost thirteen years. From 2006 to 2019, she taught in the MFA program at Art Center College of Design in Pasadena. Her writings have appeared in Die Zeit Online, Springerin, Texte zur Kunst, Afterall, and other publications. She has had solo exhibitions at venues including Kunsthaus Dresden, Westfälisches Landesmuseum, Münster, and Reception Gallery, Berlin. The monograph Make Yourself Available was published in 2015 in conjunction with her solo exhibitions at Heidelberger Kunstverein and Kunstverein Langenhagen.
In the presence of the author
For the launch of his newest publication artist Rokas Pralgauskas has prepared a new chapter of his performances cycle “sung poetry”. A book “Findings, Silver Dust and Other Flowers” is full of absurd and ironic photographs, drawings, and their sketches. We will launch it with Pralgauskas’ free jazz-rap compositions, performed by Tadas Petekevičius-Grajauskas (guitar), Rasa Vaštakaitė (drums) and the artist himself, playing a saxophone and a mic.
Rokas Pralgauskas is an artist based in Vilnius. After joining Lithuanian Art Photographers Association in 2005, Pralgauskas immediately started participating in group shows in Stockholm, Berlin, Italy and many other places abroad, while working as a set decorator in Lithuania. Artist’s works has been presented in the exhibitions “Aš, tu ir kiti kadrai” (Contemporary Art Centre, Vilnius, 2007), “1907-2007. PRIVATŪS POKALBIAI” (Gallery “Vartai”, 2007) and “Saldus ateities prakaitas” (National Gallery of Art, Lithuania, 2019). He has had solo shows at the Giedre Bartelt gallery (Berlin), Vilnius Photography Gallery and Klaipėda Culture Communication Centre (KCCC). Pralgauskas has published two books of his works: “ro-ko-ko-mixai” (Versus Aureus, 2007) and “Findings, Silver Dust and Other Flowers” (LithuanianArt Photographers Association, 2019).
Saturday’s program at the KABF will be closed with a filmscreening of experimental short films, music videos and performances by Austrian artist Martin Ebner.
Martin Ebner is an artist, filmmaker and publisher currently living and working in Berlin. He works with installations, objects, video, film, performances and music. Ebner is also a co-founder and publisher of Berlin based, artists-run magazine STARSHIP, together with Ariane Müller, Nikola Dietrich, Mihaela Chiriac, Gerry Bibby and Henrik Olesen.
November 17th, Sunday
On Sunday morning of KABF, the kids of ages 3-7 are welcome to join educational program where Ieva Stankutė will be leading creative imagination workshop. As says the artist: “Our imagination has no limits, though the imagination of the children never ceases to amaze us. Let’s see what is concealed in there !”. Participants of the workshop will experiment with the ink and will be seeking to guess and “make alive” the created abstract forms. All the made drawings will be glued into participant’s first artist’s books which, we hope, they will be excited to finish at home.
RSVP info@sixchairsbooks.lt
Ieva Stankutė is a graphic artist based in Kaunas. Currently she is studying Applied Graphics at the Kaunas Faculty of Vilnius Academy of Arts. In 2019 Stankutė has published creative imagination activity book “Hello, Imagination” for kids and everyone. She is inspired by impromptu artworks and from her daughter.
This lecture is a vibrant and brief introduction to the concept of publishing as an artistic practice, offering to the participants the very first encounters with the trajectories and challenges of contemporary independent publishing. By using historical and present examples of contemporary (photo)books, and sharing his own personal experiences, Petraitis will talk about the features of such practices, art books festivals and the format artist’s books itself.
Paulius Petraitis is an artist, curator and researcher. Through his artistic works, Petraitis explores the production of meanings of photographic images, discussing such processes in the broader socio-cultural and technological contexts. At the moment he is curating an intermedial photography exhibition for the Riga Photography Biennial (Latvian National Art Museum, 2020). Petraitis works with independent and limited-edition publishing and has presented his works at the Tallinn Photomonth, “One Thousand Books” (Copenhagen) and else. Among his publications: “Too Good to Be Photographed” (Lugemik, 2017), “Smoke Screen” (Londret Vandret, 2015) and “Untaken Photographs” (Booklet Press, 2012). His (photo)books has been included in many institutional libraries and private collections worldwide, such as the Museum of Modern Art (MoMA, New York), the Metropolitan Museum of Art (New York), The Danish Museum of Art & Design (Copenhagen), Oslo National Academy of Arts (KHiO) and the collection of Joan Flasch.
In this lecture Valentyn Odnoviun discusses the artistic intersections of selected Lithuanian, Latvian and Ukrainian photographers within the Soviet context during the period from 1969 to 1989. The author describes social and visual interactions between photographers from Ukraine and their colleagues from the Baltic states, their influence on each other, as well as their place within the Soviet system.
Valentyn Odnoviun is Ukrainian artist living and working in Vilnius, Lithuania. In 2016 he graduated from Vilnius Academy of Arts (VAA), MA in Photography and Media Arts, and in 2019 MA in History and Theory of Art. For the last several years Odnoviun held personal and participated in collective exhibitions in Europe, New Zealand and the USA. He took first place at the “Debut 2016” contest for the Emerging Art Photographers held by the Lithuanian Art Photographers Association; received Grand Prix Award at the “Interphoto 2017” Festival in Bialystok, Poland; and later, took first place at the World Biennial of Student Photography in Novi Sad, Serbia; and took Photolux Award 2019 in Lucca, Italy.
During the last years his artistic research has been mostly linked with historical or socially engaged events and problems through the “abstract”-looking image, working with the imagination of the viewer to create more concrete communication with the help of interpretation and conceptual thinking. Currently, he is writing a PhD dissertation “Intersections among Ukrainian, Lithuanian, Latvian, Polish and Czechoslovakian Art Photographers from 1960s to Early 1990s” at the Lithuanian Culture Research Institute.
In the presence of authors Joachim Hamou and Barbara Sirieix
The 1923 manifesto ‘Active Art’ by Latvian philosopher Andrejs Kurcijs triggered a series of responses by writers, artists and curators on the notion of activism, past and present: art for political purposes, art for its own purpose or art with no purpose.
The texts collected in the book ‘Active Art’ aim at considering the active part of writing according to the definition given by Kurcijs. Contributors include Rebeka Pōldsam from Estonia writing on the lesbian artist Anna-Stina Tremund, Isabella Marrin from UK writing on virus structures in language, French poet Laure Boullic writing a revolutionary poetry essay, French artist Eva Barto advertising her upcoming research on economic structures in art and Latvian artist Evita Vasiļjeva sharing the beginning and the end of her notebook. There is a conversation in several parts running throughout the book between the editors and Latvian contemporary philosopher Ainars Kamolins analysing Kurcijs original text. And finally the book also includes the reprint of texts by American writer Rober Glück introducing the queer writing collective New Narrative he co-founded in 1975 and a rare essay from 1982, and by American writer James Baldwin, an essay initially published in 1987 in an art catalogue with a very strong political stand against racism.
‘Active Art’ is edited by Maija Rudovska, Barbara Sirieix and Joachim Hamou and published in English by French publisher Paraguay Press (paraguaypress.com)
Robertas Antinis is a well known cultural figure in Lithuania. Kaunas-based artist has been awarded Lithuanian National Prize for Culture and Arts and is being praised for his installations and objects, actions and performances. Antinis is also a teacher and the author of multiple art books, all of which explore the potentiality of letters and texts becoming a sculpture itself. At the KABF the artist presents his future monograph (its “dummy”) and holds a conversation with artist and curator Povilas Ramanauskas.
About
Kaunas Art Book Fair 2019
Fair hours:
November 16th, Saturday 11:00 – 19:00
November 17th, Sunday 10:00 – 18:00
Location:
Kaunas Photography Gallery, Vilniaus str. 2 and
ex Photo studio, Rotušės sq. 1
Entrance free of charge
Kaunas Art Book Fair is an event that creates value for the content and design of an art book and promotes networking. The fair focuses exclusively on the culture of art publishing, building a new community, maintaining an existing one as well as initiating global trends in Lithuania.
The mission of this project is to grow and nurture the community of readers, viewers, publishers and creators of art books in Lithuania by providing a platform for meeting and dialogue with the general public.
Vision – to become a major art publishing event in the Baltic region.
Kaunas Art Book Fair is organized by Kaunas Photography Gallery
Educational Program Curated by Six Chairs Books
Team
Viktorija Mašanauskaitė-Rinkšelė
Head of Kaunas Art Book Fair / viktorija@kaunasgallery.lt
Justina Zubaitė
Curator of educational program / info@sixchairsbooks.lt
Gintarė Krasuckaitė
Curator of book exhibition / gintarė@kaunasgallery.lt
Donatas Stankevičius
Manager of the installation / donatas@kaunasgallery.lt
Miglė Ceinorytė
Designer / migleceinoryte@gmail.com
Aivaras Bacevičius
Manager of WEB / bacevicius.lt
Daiva Juonytė
Press / juonyte.daiva@gmail.com
Gytis Dovydaitis
Manager of Instagram account / gytisdovydaitis@yahoo.com
Sponsors
Partly supported by
Partners
Contacts
Email: kaunasartbookfair@gmail.com
Phone number: +37069987514
Press contacts: Daiva Juonytė / juonyte.daiva@gmail.com
Requisites:
Lietuvos fotomenininkų sąjungos Kauno skyrius
Company code: 135510925
Tax payer code: LT355109219
Rotušės sq. 1, LT-44280, Kaunas, Lithuania
